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Good Omens:

   Rogues' Gallery (Crowley/Aziraphale, G)
    Good taste is the worst vice ever invented. (London, 1660)

   Natural Laws (Crowley/Aziraphale, PG)
    Every object in the Universe attracts every other object. (Lincolnshire, 1665)

   A Ramble in St. James's Park (Crowley/Aziraphale, PG)
    The merry meeting of a demon, an angel, a rhymer, and a decidedly peculiar sense of humor. (London, 1666)

   Masquerade (Crowley/Aziraphale, PG-13)
    In Venice, serenity must be won. (The Republic of Venice, 1750)

   A Memorable Fancy (Crowley/Aziraphale, PG)
    Some Romantics have all the luck. (London, 1777)

   On the Wing (Crowley/Aziraphale, PG)
    Our heroes take to the sky. (London, 1793)

   Heaven and Earth (Crowley/Aziraphale, PG-13)
    When it rains, it pours. (Geneva, 1816)

   A Fistful of Feathers (Crowley/Aziraphale, G)
    Frontiers lie between a rock called heaven and a hard place called home. (The New Mexico Territory, 1874)

   Fandango (Crowley/Aziraphale, PG)
    If evil exists, it's a pair of train tracks. (The New Mexico Territory, 1874)

   Forget the Flowers (Crowley/Aziraphale, PG)
    Roses, regrets, and invitations. (London, 1923)

   Paradise Mislaid (Crowley/Aziraphale, PG)
    All dressed up and nowhere to go. (Nottinghamshire, 1923)

   Deus ex Machina (Crowley/Aziraphale, PG)
    A demon and an angel make amends with the advent of television. (London, 1936)

   The Devil and the Deep Blue Sea (Crowley/Aziraphale, G)
    The Devil has all the best tunes. (London, 1940)

   Sight-Reading (Crowley/Aziraphale, G)
    Sound carries best at night.

   Soho in the Rain (Crowley/Aziraphale, G)
    A battle of tact is waged over tea.

   Double Feature (Crowley/Aziraphale, PG)
    In which Aziraphale makes an effort. (London/An Aeroplane Over the Sea/Middle America, 1955)

   Picture Book (Crowley/Aziraphale, G)
    Some things never change.

   Blind Luck (Crowley/Aziraphale, G)
    Luck never gives; it only lends.

   Novelty (Crowley/Aziraphale, PG)
    Early birds and summer fliers.

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Literary Fiction:

Angels and Insects:

   Seen and Unseen (Matty Crompton/William Adamson, G)
    Things are not what they seem.

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Literary Slash:

Beneath the Wheel:

   Reed Songs (Heilner/Giebenrath, PG)
    Two boys, one a poet and the other a grind, feel the pulse of the river.

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Brideshead Revisited:

   The Workings of Chance (Sebastian/Charles, PG)
    To understand all is to forgive all.

   Out of Nature (Sebastian/Charles, G)
    Charles finds his conversion to the baroque.

   The Closest Thing to Rain (Sebastian/Charles, G)
    Two third-class tickets to Venice.

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The Charioteer:

   Luck (Ralph/Laurie, Ralph/Alec, PG-13)
    After Dunkirk, Ralph must face his own past with the turning of the tide.

   Sea Change (Ralph/Laurie, Ralph/Alec, PG)
    Ralph finds solace in a love long deemed impossible.

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Demian:

   Of Sparrows and of Hawks (Demian/Sinclair, PG)
    Sinclair dreams, Demian waits.

   Waking Cain (Demian/Sinclair, PG)
    Fire worship was by no means the most foolish thing ever invented.

   Walpurgis Night (Demian/Sinclair, Sinclair/Frau Eva, PG)
    Love must have the strength to become certain within itself.

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Frankenstein:

   Heart's Echo (Victor/Henry, PG-13)
    This is to be a mortal, and seek the things beyond mortality.

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The Great Gatsby:

   Coasting (Jay Gastby/Nick Carraway, PG)
    An evening on the Sound.

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The Importance of Being Earnest:

   The Business of Nothing (Algernon/Jack, PG)
    Algernon practices the art of Bunbuyring.

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The Liar:

   Memorandum (Adrian Healey/Hugo Cartwright, R)
    For in that sleep of death, what dreams may come.

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Lord of the Rings:

   First of the Season (Merry/Pippin, PG)
    Two hobbits taste the fruits of a summer afternoon.

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Mrs. Dalloway:

   Once Before (Septimus/Evans, PG)
    Septimus imagines that he is in love again.

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The Picture of Dorian Gray:

   The Promise of Stars (Dorian Gray/Basil Hallward, PG)
    An orchid, a painting, a rather tragic affair.

   Perfectly Delightful (Basil Hallward/Dorian Gray, PG)
    Basil paints Dorian.

   Nocturne (Dorian Gray/Alan Campbell, NC-17)
    Music and that indefinable attraction.

   Sins as Scarlet (Dorian Gray/Alan Campbell, R)
    Alan cannot resist Dorian's temptation.

   Ends of the Earth (Dorian Gray/Basil Hallward, PG-13)
    Laughter is not at all a bad beginning for a friendship.

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The Secret Garden:

   A Bit of Earth (Dickon/Colin, G)
    Two boys tend roses as phantoms fly.

   Nest Building (Dickon/Colin, G)
    Their belief in the Magic was an abiding thing. (France, 1915)

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A Separate Peace:

   Sleeperhold (Finny/Gene, PG)
    A night on the beach.

   Under the Bridge (Finny/Gene, PG)
    When you really love something, it loves you back in whatever way it has to love.

   Armistice (Finny/Gene, PG)
    Gene finds that he has been deceived by his own happiness.

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The Strange Case of Dr. Jekyll & Mr. Hyde:

   Mortal Duality (Utterson/Jekyll, PG)
    Two natures contend for Jekyll's soul.

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The Wind in the Willows:

   Writ in Water (Rat/Mole, PG)
    Two friends spend a day by the riverbank.

   The North Wind (Rat/Mole, PG)
    Good things in the chill night.

   Instrument of Fate (Toad/Rat, Rat/Mole, PG)
    An unexpected visitor heralds a sympathetic heart.

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Historical Real Person Slash:

Romantic Poets:

   Violet Hour (Lord Byron/John Polidori, PG)
    Byron and Polidori set out from England and embark upon exile.

   A Keyhole at Thirty Paces (Lord Byron/John Polidori, PG)
    Byron and Polidori finally arrive in Geneva.

   Sport of Circumstance (Lord Byron/John Polidori, Lord Byron/Percy Shelley, PG)
    The famed meeting.

   Love's Philosophy (Lord Byron/Percy Shelley, R)
    Two poets spend a day on Lake Geneva.

   An Acquired Sense (Lord Byron/John Polidori, PG)
    Albé to the rescue!

   Horizon's Verge (Lord Byron/Percy Shelley, PG)
    A swimming lesson.

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